“Paris is the city in which one loves to live. Sometimes I think this is because it is the only city in the world where you can step out of a railway station – the Gare D’Orsay – and see, simultaneously, the chief enchantments: the Seine with its bridges and bookstalls, the Louvre, Notre Dame, the Tuileries Gardens, the Place de la Concorde, the beginning of the Champs Elysees – nearly everything except the Luxembourg Gardens and the Palais Royal. But what other city offers as much as you leave a train?” ― Margaret Anderson
“That Paris exists and anyone could choose to live anywhere else in the world will always be a mystery to me.” – Marion Cotillard, Midnight in Paris
Continue reading “Paris Sous la Neige: The 1st Arrondissement”
This surprising union of used materials, Many Spoken Words, (2009) by Luxembourgish artist Su-Mei Tse (1973), sets off a multitude of associations. Forming from a basin, dark black ink gushes forth from a garden fountain of baroque inspiration and, as the artist remarks, “expresses the idea of the whole process of language: the way an initial thought or idea develops first into spoken, and then into written words” (Su-Mei Tse). Through this work, as much visual as it is sonorous, the artist pays homage to literature, evoking the infinite potential of words and the eternal renewing of creation. The multiple and incessant drops of Many Spoken Words make the fluidity of the spirit, words, and creativity perceptible, and leave indelible traces. – MUDAM.
A photo diary of the three nights I spent in Luxembourg xx
Continue reading “Autumn in Luxembourg: Su-Mei Tse at MUDAM”